Put It On Me

I’m not a blogger anymore, and I just need to say and accept that. I realize I’m here right this minute but it doesn’t mean anything. Don’t fall for me. I’ll only hurt you. And I’m really self-serving too because the only reason I’m here is that I can’t figure out how to tweet this properly.

So once upon a time I wrote a piece of flash fiction. And then I wrote a related one. And then I wrote a third one. And they were all about the same person in the same multi-planet-co-op but they were all stylistically different and what not. And I always thought I wanted to just keep doing that but then after the first three and brainstorming a fourth and fifth, I was like, that’s really restrictive and also it’s a big concept and maybe I should write a novella. And then I was like maybe it should be a YA novel. And then as per yoosh, I started writing two sets of notes: If This Were YA and If This Were Adult, and again as per yoosh, one of those lists got longer much faster. Decision made.

So I did what I do which is Excel Spreadsheet. (S/O to my boo, Excel.)

Ja Rule

And I made all my separate sheets, and had a grand ole time, and started gridding vaguely, and deciding on the major points of the plot, as you do. And like this minor character needed to be really important to the protagonist, right? So I was like, getting images for the first chapter and I got my first line and I got this dope idea for world building and just a lot of stuff was like YUSS. And so I wrote the first chapter and it was really good and it destroyed the entire plan and plot and built in all these other expectations and made the minor character way more important and crap, this is literally what happened when I drafted Avrilis.

So now I’m over here like six months later – because things – rereading the chapter and realizing I have to write a book to match/fulfill this chapter and like, who said writers get to decide what stories they tell? WHOM?!

Anyway.

Also did Fyre Fest really happen or was that a beautiful fever dream?

And finally, did I ever show you this? Ignore the date, I told you I’m trash, don’t make it a whole thing.

MEM PM Announcement

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On Sensitivity Reads

In the words of Old Rafiki, “It is time.”

Today I’m talking about sensitivity reads – not a study in what they are and why I encourage them (I feel like you should know this by now and plenty of people have already discussed it), but an explanation of on what I feel comfortable/equipped giving feedback – and what it might cost.

Since finishing my last wip and announcing my availability on twitter, I’ve gotten the range of expected responses/reactions. Just a quick word of advice: Don’t expect free labor from marginalized people. But that’s common sense by now, right? So maybe it’s time to tack on: When they inform you of the rate, especially don’t tell said people that you’re disappointed in them.

no joke Ezzie

I know, Unamused Baby Ezzie. No one would do that. (They have.)

But! Those experiences aside, I’m glad I’ve started offering editorial services and sensitivity reads! It’s been a year since I was editorial intern for a publisher, and I missed it. And to be honest, what with the malaise that just reappears at random because, you know, of the world and the nation and the pushback you get on declaring your humanity and right to not die or be hated as a form of patriotism, it’s actually really nice to open someone else’s work. Because I can’t always get in the head space to create, but being too far from what I love can make that malaise worse. So thank you, is I guess what I’m trying to say. Despite that there can be problematic content in the work – which is the whole reason you’re paying for the service – it can be an escape for me, right now. It reminds me there are people who want to do better.

Unfortunately, I’m not the right sensitivity reader for everyone. (Not so much unfortunate as true.) So on to where I can most help you.

Across age categories and genres, I’m happy to read your ms if you’re writing about Black American history and/or identity, and any of these intersections (or these topics on their own): womanness, motherhood, family dynamics (including sisterhood and sibling dynamics in larger families), higher education (specifically PWIs), expatriation, international travel, interracial relationships, accelerated education programs (specifically GATE and International Baccalaureate), invisible disability, performance cultures (ex: marching band, drill team, dance, etc).

Now obviously, there are variations on the above topics, or different but related ones. If you’re not sure or just generally have questions about this, contact me. Tell me about your project (a synopsis like one you might query to an agent and what you’re looking for – but try not to go too in-depth with explaining your intentons) and we can go from there.

And so, rates, amiright? Like many others, my base rate is $300*. This is based on three major criterion: (1) that the novel is no longer than 100k, (2) that the novel is polished, and (3) that the turnaround need not be shorter than 8 weeks.

*ETA: I have slightly raised my base rate due to the number of hours I’ve found I devote to each read. This new rate is also subject to adjustment in particularly swamped seasons. I will advise, in that case.

Need help getting polished, with or without a sensitivity read? We can chat about that, too – but before I begin, please! Kiss emoji, wink emoji!

I think that’s enough to get us started, yes?

Final note: though my tweet says to DM me, that can get…unwieldy. Instead, follow the hyperlink above or just head to my Contact page for info on how best to reach me.

Aight, that’s enough work for one day. Now here’s this:

giphy1